Over a easy scratchy guitar discern and pitter-patter beats, Reyez is authorized the distance to pull the listener into her orbit. While 2017’s profession-redefining Funk Wav Bounces Vol 1 dabbled in laid-again funk, 80s soar and disco, it became this album nearer – anchored with the aid of Canadian-Colombian Reyez’s kind of hewn vocal – that showed Harris could do downtempo. The lyrics eschew camp in favour of melancholic soul-looking, while Harris courses the music into its refrain with an audible snap, like a discharging birthday party popper. Having met Jake Shears all through classes for Kylie Minogue’s 2010 album, Aphrodite, Harris became asked to do some more knob-twiddling on this barnstorming single from the band’s Magic Hour album. With his new album, Funk Wav Bounces Vol 2, out subsequent week, we take a look through the Scottish manufacturer’s hit-studded professionĢ0. Photograph: Gilbert Carrasquillo/Getty Images Calvin Harris onstage in Philadelphia, in 2015.
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